Das Park Hotel, minimal accomodation in Linz

aaaaparke.jpg aaapark.jpg

Das ParkHotel offers room with minimum space volume for maximum comfort in the green heart of Linz. The reservoir under and beside the couch surface (fitted with an Optimo matress) offers some space for your luggage. There's even a power connection (220 V) for your electrical appliances and a plug for Internet connection.

Sanitary facilities, breakfast area and other hotel amenities are to be found around the hotel: at the Danube park public toilets and at the cafes of Linz city centre.

Book now and pay as you wish (apparently the system works quite well, people leave between 7 and 20 € and sometimes even little presents.)

(Via we make money not art.)

from the “so cool” files…: "

[![lunch_boxes](http://photos21.flickr.com/25489033_2791e09ec6.jpg)](http://www.flickr.com/photos/91491847@N00/25489033/)






mark indusky is the founder of a truly _cool_ design firm called [lost found art](http://www.lostfoundart.com/index.cfm). they provide a really unique service that i just had to share.






[![INS015_1](http://photos23.flickr.com/25489032_c4da9aaff9.jpg)](http://www.flickr.com/photos/91491847@N00/25489032/)






based in new york, [lost found art](http://www.lostfoundart.com/index.cfm) specializes in sculptural installations using vintage and antique pieces. they customize to fit any space, décor, or point of view. subtle or outrageous, whole room or small nook, free standing or wall mounted, their collections create a unique focal point for any room in your home or business. in addition to group installations they also offer individual pieces that by nature of their unique sculptural presence are strong enough to stand on their own -whether occupying an entire wall or resting in a bookcase or sitting on a coffee table.






[![INS005_1](http://photos22.flickr.com/25489030_9a11e75f01.jpg)](http://www.flickr.com/photos/91491847@N00/25489030/)






basically, [lost found art](http://www.lostfoundart.com/index.cfm) will make really amazing collections and installations in your home out of unique pieces. i think it's a great idea, because i for one have always wanted to make cool collections of things, but am horrible at arranging pieces effectively. well, at least so far i've been. you can find more information on lost found art [right here](http://www.lostfoundart.com/index.cfm). [thanks, mark!]






[![INS003_1](http://photos23.flickr.com/25489029_c8cee5a505.jpg)](http://www.flickr.com/photos/91491847@N00/25489029/)






[![INS009_1](http://photos23.flickr.com/25489031_adf0d26d89.jpg)](http://www.flickr.com/photos/91491847@N00/25489031/)






"






(Via [design*sponge](http://designsponge.blogspot.com/).)

french bull

[french bull coasters](http://www.plumparty.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code=17513&Category_Code=frenchbullcoasters&Product_Count=3): really good design; love the colour and quality of the lines.






(Via [design*sponge](http://designsponge.blogspot.com/).)

Saw a video of this at the RCA Interaction Design Show - I loved it! The simplicity of the idea is fabulous, the execution perfect and the video presented at the show, brilliantly done.

Streetclock: "Streetclock , by 3eyes, encourages people to consider the idea of time before digital technologies became pervasive.

Shadows cast by street furniture over urban landscapes are measured in relation to painted road markings.

acloc.jpgaclol.jpg

Referencing sundials, the road markings denote specific times, but at irregular intervals, unlike the uniform markings on a clock-face. The project preserves incidental times such as 10:19 or 5:02. Besides, the ‘shadow-lines’, and therefore the reading of time, are distorted by pedestrians.

Streetclock explores the reclamation of urban territories and the way in which these physical and metaphysical spaces can be re-appropriated for, and by, their inhabitants. Streetclock draws on the aesthetic and temporal issues that saturate public spaces.

Related: Sascha's Echo project.

"

(Via we make money not art.)

You know, I'm thinking this has potential for forming the basis of some controllers for the work I am doing with Gojira

KEE: "KEE, designed by Miasnik Shira, is a motion based digital instrument for the performing arts.

akee.jpg akee2.jpg

The user modifies the digital output by tilting and rotating this wooden intstrument.

Movements can define endless parameters: manipulating Kee in different directions, angles and speed changes different qualities of the animation. Pressing the logo button modifies the presets which define the changes in the animation.

KEE is using Bluetooth and works with a software that translates the movement signals and the audio-visual media.

Video.

"

(Via we make money not art.)

Went to London a few weeks back; I went up for the RCA Interaction Design show - which was great! Saw some absolutely fab work (blog more on that another time maybe). On the way home, I picked up a few magazines - most notably Dazed and Confused (Vol2#27) - The climate change special. It struck me hard how there are all these people out there doing really great and exciting work; and me … well, I kind of feel like I am dying a slow death of lack of creative expression! And then there is Southampton; grrr. I have got to make something happen. It really upsets me that a city the size of Southampton should have so little creative stuff going on.

Now, it may be that I‘m just not moving in the right circles to see what is going on under the surface; but usually in a town, the underlying creative flow tends to be exposed in pockets; with shops, bars and galleries - and really that’s not happening!

The city council have some grand ideas about converting a big old department store to an arts centre. The latter is a laudable effort and the John Hansard Gallery certainly needs a new home! The list of the other partner organisations : Art Asia, City Eye and the Performing Arts Organisation, give some indication of the direction this centre will take.

I don't want to run down the efforts of organisations like aspace; to me they represent the type of organisation that Southampton needs in order to really develop a creative community.

My problem with so many arts organisations is they have an agenda - rather than simply encouraging artists; whether that agenda is about social development or cultural awareness or whatever, it always seems to get in the way of truly world class fine art.

What we need is an area with shop spaces, with cheap rent open to specific types of business, that encourage a creative community to grow up around them, with local art studios. As you add cafes and bars into that mix, you get cross over. But the driving force remains people, ground up. Not big visions but facilitation, encouraging organic growth. Opportunities not structures.

Oh and a few decent buildings wouldn't go amiss! If the city council wants to encourage creativity, it needs to start with the planning department (and perhaps throwing in some awards for really exciting architecture int he city).

Just my tuppence worth.

I love these: the organic shapes and the promise of outdoor comfort and being out of the sun really appeals.

[![DSC02028](http://photos10.flickr.com/14363526_3efee5debe.jpg)](http://www.flickr.com/photos/91491847@N00/14363526/)






[![DSC02027](http://photos10.flickr.com/14363525_e986e0ab11.jpg)](http://www.flickr.com/photos/91491847@N00/14363525/)






Available [here](http://www.lifeshopcollection.com/).






(Via [design*sponge](http://designsponge.blogspot.com/).)
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